Opening night for "Tuck Everlasting" is finally (almost) here, the culmination of almost three months filled with firsts for the boy.
Tomorrow, we have the chance to see Ben perform during the opening of an original Broadway musical. At 18, he also is making his “adult” debut in the ensemble at the Broadhurst Theatre in New York City.
What makes this a unique experience for Ben, besides the "adult" part and living on his own in the city, is this is the first time he has been part of the cast of an original musical in New York. "Ragtime," in 2009, was a revival. "Billy Elliot" had already been running for more than a year on Broadway when he joined the ensemble. On the "Billy" and "Newsies" tours, he went through the tech process, but both of those shows were already established and much of the music/script/choreography had been locked in by the creative team.
A new musical, even one that had been performed out of town, is much different.
Five weeks of rehearsals were followed by almost a month of previews as the creative team continued to tweak and polish “Tuck,” which is based on the acclaimed children’s novel by Natalie Babbitt. Tim Federle, a wonderful writer and family friend who was one of Ben's mentors on "Billy," was brought in to contribute to the book. Music has been added, polished, and cut. Much of the choreography is new.
That’s the reason the preview process is so important, because it gives the show a chance to be performed for audiences to see what works and what doesn’t before it is formally locked in.
Chances are that if you saw “Tuck” in the first week or two of previews that what you’ll see now is different. It’s certainly been different for Ben, who is on stage quite a bit as an ensemble member and had not gone through one of those periods as a performer. (He was an understudy during the “Ragtime” revival.)
What makes this period so grueling for the actors, creatives, and crew is that you are essentially doing two shows a day, six days a week. During the preview period, “Tuck” has been running on a nontraditional schedule, with Sundays instead of Mondays off.
On single performance days, you typically arrive around noon to make adjustments and run through the show, take a break around 5 and then return two hours later to do it again for the preview audience. (Wednesdays and Saturdays are two show days.) Meanwhile, Ben is understudying two roles — Jesse Tuck and Hugo — and is learning their parts on stage.
Also over the past month, the show has hosted legendary theatre photographer Joan Marcus, who captured the in-performance images that are at the top of this piece, and shot performance footage for a “B-roll” that will be used for promotion purposes.
Finally, on Sunday, the cast gathered in a recording studio to record the score’s soundtrack, which will be available digitally on June 10 and in stores on July 1. That was another first for the boy.
And so now it’s almost time. Another opening, another show. Proud family members in the audience. Others rooting for Ben from close and afar.
There’s a certain “déjà vu all over again” feeling … and we couldn’t be more proud.
Break a leg, son.
A couple of additional things to note:
• It has been so wonderful to see the large number of friends and extended family who’ve come to see the show during the preview period. Cast members from “Billy Elliot” and “Newsies,” as well as friends from Virginia, North Carolina, and Michigan, already have seen “Tuck.” I hope you’ll consider a trip, too.
• Dave Mack, a New York-based photographer, videographer and musician, is working at the Broadhurst Theatre and has been taking a series of beautiful portraits backstage. Here are a couple.
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