The boy singing "Top of the World" from Tuck last week at 54 Below. The "Not At This Performance" cabaret featured understudies who never had the chance to perform on stage.
The imminent closing of "Tuck" aside, this video featuring the boy shows there's nothing he can't do ... even with a bunch of marshmellows stuffed in his mouth.
After three postponements due to rain, the cast of "Tuck Everlasting" performed yesterday on the "Today Show." It was a long morning, but a great opportunity, as cast members arrived at 5:30 a.m. and ran through the difficult number several times before performing it live in front of the cameras.
Unfortunately, the performance and imminent release of the soundtrack to the show was not enough to save it, as the producers announced today that "Tuck" will close this weekend. So watch this and relive briefly what has been a wonderful experience for Ben.
“Another Op’nin’, Another Show,” the first number in Cole Porter’s “Kiss Me Kate,” is a famous show business anthem. Performed by the ensemble, the self-referential song is “a chance for stage folks to say hello” while also conveying the uncertainty that comes with opening a new show in front of an audience.
“Another job that you hope will last/Will make your future forget your past/Another pain where the ulcers grow/Another op’nin of another show.”
Just over a month ago, as “Tuck Everlasting” opened on Broadway, I found myself humming that song and wondering how long this small, family-friendly story would last in a crowded New York marketplace. It was the first time Ben had been in the opening of a Broadway show since “Ragtime” in November 2009, but the circumstances were much different then.
At the time, our son was just 11 (he turned 12 during the run). We had to get an apartment in the city and soon found our lives turned upside down in one of the most thrilling, confounding and, at times, scary periods we would have as a family.
With “Tuck,” Ben was 18 and striking out as a true — at least in the legal sense — adult for the first time.
The whispers started within a few days after “Tuck” opened to largely positive reviews, including a rave in the New York Times. The box office was not good. Ticket sales were stagnant. Expenses were high with the recording of the show’s soundtrack — due out June 3 on iTunes — and the creation of a video B-roll to promote “Tuck.” A decision to rely on social media and avoid print advertising almost entirely did not make sense, but I attributed that to being an old print guy.
The bump you’d expect in the first week after opening never happened, and a disappointing showing when the Tony nominations were announced did not bode well.
Three weeks of steady drizzle did not help either, forcing the postponement of a potential buzz-generating “Today Show” appearance three times. In one of the busiest seasons for new musicals in years, one that is nonetheless dominated by the Pulitzer Prize-winning, much-beloved “Hamilton,” it was proving to be a harsh uphill climb.
The day after the “Today Show” appearance, the producers decided to pull the plug. “Tuck,” the little show that could — and did — make it to Broadway, would not last until Memorial Day.
Why do shows that are so good, so rich and thought-provoking in their themes and execution, seem doomed to short runs?
It’s an age-old question that is answered, simply, with the phrase: “Broadway is a business.” And any business that doesn’t make money can run for only so long before it closes. When you’re looking at a show that spends hundreds of thousands a week just to keep the doors open, the risk/reward ratio makes even investing in such a proposition a daunting prospect. Just ask the producers of “American Psycho” or “Disaster,” two other new musicals that have met similar fates within the past month.
“Tuck’s” brief life was not due to a tainted spring or a man in a yellow suit, but to a fate that was an all-too-familiar flashback to “Ragtime.” No matter how entertaining the show was, how noble its themes and intent, the money talked.
On its final weekend, Emma and several of Ben’s friends from Northern Virginia went to New York to see "Tuck" while Jill and I went to the graduation events for our niece, Margaret, in North Carolina. Jill and I had a lovely time, but I kept thinking back to the days leading up to the “Ragtime” closing.
I remembered following Ben from our apartment on West 54th to the Neil Simon Theater just a few blocks away. It was a bright, sunny, and not horribly cold January Sunday. I took a picture of him walking down Broadway with tears in my eyes, feeling lost for my son. No one in our family knew what would happen next.
It has been a fascinating ride since then. Still, when something like this — such a heady, overwhelming mix of euphoria, sadness, joy and confusion — happens to your child, you can’t help but be touched by it. And each subsequent time it occurs touches you in some different way.
The same could be said for parenting. It never gets easier, just different. Your hopes and dreams for your children don’t evaporate even as they evolve with each experience. And they are still capable of bringing tears to your eyes at a moment’s notice.
On our way home from North Carolina, I found the picture I took on the day “Ragtime” closed and noted how things have changed over the past six-plus years.
“Today,” the Facebook/Instagram post read, “he made a similar trip for the final performance of ‘Tuck Everlasting,’ this time from his apartment and for the first time as an adult. We love you, son, and just like that day when I followed you as a 12-year-old into an uncertain future, I can't wait to see what happens for you next.”
Post-New York randoms a week after Tuck Everlasting opened on Broadway:
• Master of the Obvious: Well, that was a trip I won’t soon forget.
• The best part of the trip was getting to spend some quality alone time with my boys. I don’t get to do that enough.
• The second best part was seeing my son do what he loves, and seeing his siblings happy to be part of the experience. We missed Kate not being there, though.
• Watching a friend tap dance while Jon Dee Graham played an instrumental in the basement of the Hill Country BBQ was NOT the most surreal part of the trip. Close, but not quite.
• When people are obviously trying to listen to acoustic music in a small venue, I don’t know why some feel an uncontrollable urge to turn up their inner frat-boy volume to 11.
• I've was in way too many photos last week and not behind the camera enough. There is something wrong with this picture...
• Things I thought I'd never say: I agree with John Boener on something. But then he had to bring up Ted Cruz.
• Riding a bus home is OK until you get stuck in traffic and someone decides to leave the spicy burrito they ate in the bathroom 3 rows back.
• People are bipolar. Mother Nature is not. Not sure what she is exactly, but that's a different story.
• NYC tourist tango: 1, 2, 3 ... GAWK! 1, 2, 3 ... GAWK!
Two more observations, all with accompanying art…
• If our cats could speak English, they'd say, "See? We told you, this stuff is real..."
• Kids, this is appropriate... (And yes, my mom did send it to me.)
"Tuck Everlasting" made its formal Broadway opening Tuesday at the Broadhurst Theatre in New York. Jill, Emma and I drove in from Virginia and Nicholas flew from Nashville to see Ben in his first "adult" role.
Here is a photo chronicle of our day and night, which included subway rides, a visit to Sardi's, the Gypsy Robe ceremony for the Tuck cast (covered by Broadway World), the show, the red carpet treatment, and a premiere party at Tavern on the Green. A memorable time was had by all, that's for sure.
Opening night for "Tuck Everlasting" is finally (almost) here, the culmination of almost three months filled with firsts for the boy.
Tomorrow, we have the chance to see Ben perform during the opening of an original Broadway musical. At 18, he also is making his “adult” debut in the ensemble at the Broadhurst Theatre in New York City.
What makes this a unique experience for Ben, besides the "adult" part and living on his own in the city, is this is the first time he has been part of the cast of an original musical in New York. "Ragtime," in 2009, was a revival. "Billy Elliot" had already been running for more than a year on Broadway when he joined the ensemble. On the "Billy" and "Newsies" tours, he went through the tech process, but both of those shows were already established and much of the music/script/choreography had been locked in by the creative team.
A new musical, even one that had been performed out of town, is much different.
Five weeks of rehearsals were followed by almost a month of previews as the creative team continued to tweak and polish “Tuck,” which is based on the acclaimed children’s novel by Natalie Babbitt. Tim Federle, a wonderful writer and family friend who was one of Ben's mentors on "Billy," was brought in to contribute to the book. Music has been added, polished, and cut. Much of the choreography is new.
That’s the reason the preview process is so important, because it gives the show a chance to be performed for audiences to see what works and what doesn’t before it is formally locked in.
Chances are that if you saw “Tuck” in the first week or two of previews that what you’ll see now is different. It’s certainly been different for Ben, who is on stage quite a bit as an ensemble member and had not gone through one of those periods as a performer. (He was an understudy during the “Ragtime” revival.)
What makes this period so grueling for the actors, creatives, and crew is that you are essentially doing two shows a day, six days a week. During the preview period, “Tuck” has been running on a nontraditional schedule, with Sundays instead of Mondays off.
On single performance days, you typically arrive around noon to make adjustments and run through the show, take a break around 5 and then return two hours later to do it again for the preview audience. (Wednesdays and Saturdays are two show days.) Meanwhile, Ben is understudying two roles — Jesse Tuck and Hugo — and is learning their parts on stage.
Also over the past month, the show has hosted legendary theatre photographer Joan Marcus, who captured the in-performance images that are at the top of this piece, and shot performance footage for a “B-roll” that will be used for promotion purposes.
Finally, on Sunday, the cast gathered in a recording studio to record the score’s soundtrack, which will be available digitally on June 10 and in stores on July 1. That was another first for the boy.
And so now it’s almost time. Another opening, another show. Proud family members in the audience. Others rooting for Ben from close and afar.
There’s a certain “déjà vu all over again” feeling … and we couldn’t be more proud.
Break a leg, son.
A couple of additional things to note:
• It has been so wonderful to see the large number of friends and extended family who’ve come to see the show during the preview period. Cast members from “Billy Elliot” and “Newsies,” as well as friends from Virginia, North Carolina, and Michigan, already have seen “Tuck.” I hope you’ll consider a trip, too.
• Dave Mack, a New York-based photographer, videographer and musician, is working at the Broadhurst Theatre and has been taking a series of beautiful portraits backstage. Here are a couple.
See the boy and a host of others in this video preview of Tuck Everlasting, which has its Broadway opening night tomorrow at the Broadhurst Theatre in New York. Congrats to Ben and the entire cast and creative team! Can't wait to be there...
From time to time, the stars align … literally.
As Tuck Everlasting started in previews on March 31, I posted a story about my friend's son who was killed in a car accident. Parker Leikam, who is Ben's age, was an aspiring musical theatre performer who had just done the lead in "Beauty and the Beast" earlier this month at his high school in Adams, N.Y.
Last week, after we asked Ben to take a picture for the #BowtiesforParkeronBroadway social media effort, Ben posted a photo to Facebook and Instagram with Terrence Mann, one of the stars of Tuck Everlasting. Mann, it just so happens, was the original Beast on Broadway.
Parker was killed March 23 when a driver crossed a double line to pass and struck him head on just two blocks from his home. In the days since, his friends and family have paid tribute by launching the #BowtiesforParker campaign; so far, members of the casts of Phantom, Les Miserables, and An American in Paris have participated. Several of our friends from the Newsies tour posted a picture last week as well after I sent them a note.
Then, Steve Blanchard and his wife, Meredith, posted a photo from Denver, where they were on the road with Newsies. Steve replaced Mann on Broadway and played the Beast for 11 years in New York and on various tours. Finally, our friend Tim Federle added another photo to the cause.
Using the hashtag #EllenforParker, the family also is asking Ellen DeGeneres to wear a bow tie on her show in tribute to Parker. His father, Chuck, has written a heartbreaking, emotional plea to DeGeneres that is guaranteed to bring tears to your eyes.
“We want to spread the love and tolerance like Parker did,” Chuck wrote. “He was a straight A student, musician, singer, actor, theater geek and openly gay football player who could do the splits with his 6'3" 300-pound frame. He would dress as "Buddy the Elf" the last day before Christmas break and walk around school handing out candy canes. He would even go to the elementary schools for the kids there.”
Chuck, who has been in the military for 30 years, wrote that his children “have always paid the price of moving” but noted he had been able to keep them at Fort Drum for the past seven years. He said Parker “loved and looked up to” DeGeneres.
“I'm not asking for money or trips, just a bow tie and to tell his story … His mom and I need this. Please.”
I’m so glad our friends are honoring Parker and hope others will as well. Especially Ellen.
Tim Federle, whose young adult debut “The Great American Whatever” has been called “a Holden Caulfield for a new generation” by Kirkus Reviews, held a storytelling session and book signing Sunday at the McNally Jackson store in SoHo.
The multitasking author, who also is co-writer of the book for the new Broadway musical “Tuck Everlasting,” brought our son, Ben, as his special guest to read the first chapter of the book. Tim and Ben worked together on “Billy Elliot” in 2010-11 and have been reunited again on “Tuck Everlasting.”
Tim, who is one of the nicest people we know in the industry, was a Broadway performer prior to making his writing debut with “Better Nate Than Ever” and its sequel “Five, Six, Seven Nate!” His first novel was named a New York Times “Notable Book of the Year” while its follow up won the Lambda Literary Award.
Proud parents with Ben after his performances in his first-ever Broadway show (Ragtime, November 2009) and his first show as an adult (Tuck Everlasting, April 2016).
I know why they call it March Madness, especially when March bleeds into April.
Yep, it must be spring, that great period in life when Mother Nature looks you square in the eye, laughs, and does whatever the heck she wants. Little winter here, little heat there, lots of pollen and watery eyes everywhere.
Why, you ask, can’t everything be spread out a little more instead of being bunched together and packed so tightly? I don’t really know. If I did, I’d bottle and sell it to you cheap.
I’m not complaining, especially on the business end, where thankfully things seem to be opening up in recent weeks. Also, my ability to write a cogent sentence that went beyond tweet-length seems to have returned, thank goodness. It’s nice that the muse has decided to push its way past whatever was blocking my crowded brain.
Here’s a brief summary of what’s happened over the past three weeks alone:
• Met a series of deadlines for freelance clients. More still to do, but getting there.
• Published the Q&A series I did with a teenager about photography.
• Saw Ben in a preview of Broadway’s “Tuck Everlasting” with Jill and then another show at NYU to support one of his “Billy Elliot” friends (the outstanding Casey Whyland).
• Embarked on a trip to Tampa to get Kate’s stuff from her apartment and truck it back to Northern Virginia.
• Celebrated as Emma was accepted into Point Park University in Pittsburgh for the dance program.
• Followed that up with headshots of a young girl and a family shoot in a neighboring county this past weekend.
• Written blogs on the trip, on the deaths of a childhood friend’s son, Merle Haggard, Patty Duke, and Ken Howard (too much of that this year). Also wrote about World Bipolar Day and the current political process (which seems to have its own hints of mental illness about it).
Tonight, my 18-year-old son is performing for a paying crowd in his first Broadway show as an adult. About 50 miles north of Syracuse, the family of one of my high school classmates is mourning the loss of their 18-year-old son, an aspiring musical theatre performer who was killed last week in a head-on collision that was not his fault.
Life is just not fair.
Like many of you, through Facebook I’ve become reacquainted with many people I grew up with but haven’t seen in years. Chuck Leikham and I went to the same high school; he is best friends with David Watson and his wife, Mary, who I’ve known almost as long as I’ve been alive.
Chuck and his wife, Kristen, have three children and live in Adams, N.Y. He has been in the military for much of his adult life, and now is assigned to Fort Bragg in North Carolina. Like many families in the military, they have endured long separations from each other.
Their son, Parker, was deciding between colleges in Michigan, where he planned to pursue a career in musical theatre, when the van he was driving was struck head-on about a quarter-mile from his home. Parker had performed in local, youth, and school theatre since he was in second grade and had just finished a starring role in his school’s production of Beauty and the Beast the weekend before the accident.
By all accounts, he was a terrific talent and beloved by the community and his classmates. A lineman on his high school football team, he was on the school’s “Whiz Quiz” team that won an international championship in 2014. He also was known for wearing bow ties.
Two days after Parker’s death, a community candlelight vigil drew more than 800 people to the South Jefferson High School stadium, where his parents and siblings released 18 balloons in honor of his life. A local video company showed up to record the event, and after letting the family know they had a drone to capture the proceedings from overhead, his mother asked the crowd to make a bow tie for her son. The result shows the incredible outpouring of love and support for Parker and his family.
Tonight, as we celebrate Ben’s opening preview of Tuck Everlasting, a show with beautiful music and the theme of eternal life, we’ll also say a prayer for a family that has lost its own shining star.
Note: The family is trying to get Ellen DeGeneres to wear a bowtie in honor of their son and is asking for support from their friends on Facebook. Chuck wrote today that his son “loved her show and has much in common with her. Parker was all about love and tolerance.” To write in, go to http://www.ellentv.com/be-on-the-show/1058/
Ben is featured in a wide-ranging interview on Broadway World, looking ahead to “Tuck Everlasting” and back at “Newsies.” In some ways, our high school senior is starting to sound like the theatre veteran that he is.
• The hardest part of performing professionally at such a young age was definitely being away from my family. I moved to New York when I was eleven and my parents had to switch off taking care of me until we could find a permanent solution. And being on the road [with “Billy Elliot”] when I was 13, and then once again when I was 16 with “Newsies”, was really hard. I was on my own, away from my family, and barely ever got to see them.
• I would say the hardest thing I've had to learn is that your body is not indestructible. I remember when I was younger, I wouldn't stretch very often and would go from zero to a hundred without really thinking about it. And that's okay when you're really young, but the older you get, the more your body needs to be taken care of. I remember I suffered a heel injury when I was in “Billy Elliot” and was out of the show for about four months, and that was really hard; I never stretched and that was definitely a wake up call for me, having to make sure I kept my body warmed up and healthy.
• In this business, unfortunately, there are hundreds of no's to one yes, and it can be really hard. But if you know this is what you want to do with your life, never give up. I know, personally, it's something I have always had a passion for and have longed to do, and everyone in this business is in it, not for the job security or the paycheck, but because it's what they love.
The boy is growing up. To see the rest of the interview by Gianluca Russo, click on the link here.
"Tuck Everlasting" held its press preview on Monday at New 42nd Street Studios as cast members performed a selection of numbers from the show, which opens in previews on March 31. The top photo is from Broadway.com, which has a 15-minute video clip in HD on its site. The other photos are by Playbill photographer Monica Simoes.
Also, here is a shorter clip from Playbill.com that I was able to embed. Enjoy...
In a continuing quest to show — from afar — the process of rehearsals for "Tuck Everlasting" (and the boy who is in it), here's a short video on the unveiling of the marquee. The show opens in previews on March 31, with opening night set for April 26.
Jordan Roth, CEO and founder of the Culturalist website and president of the Jujamcyn Theaters chain in New York, went behind the scenes for an hour to watch the creation of the opening number of “Tuck Everlasting.” You can watch the video here.
A bonus: A screenshot of the video makes it on to the Tony Awards Twitter feed, and look who's front and center...
Congrats to Ben on his first day of “Tuck Everlasting” rehearsals. We’re so proud of you, son, and can’t wait to see the show.