When I was a kid, we traveled back and forth from Texas City to Longview quite a bit to see my grandparents. It was the early to mid 1970s, and I always wanted to stop at one of the Stuckey’s that dotted parts of U.S. 59 as well as many highways in the South.
My mom, who did the driving because of my father’s illness, refused to go because she didn’t want to have a battle with her children over the thousands of tchotchkes, sweets, and knickknacks that we would want and beg her to buy. (And to be honest, she probably would have had the same battle with my dad, too.)
Now that I’m an adult and a parent, I get it. But I still have a thing for these places and have wondered how they’ve managed to survive all these years. (Buckee’s, the supersized stores that have popped up all over Texas, feel like Stuckey’s on steroids, but they don’t have the same dated charm.)
The company started in the early 1930s as a lean-to roadside shed in Eastman, Ga., as a way for founder W.S. Stuckey Sr. to sell his pecans. According to a history of the company, Florida-bound tourists on U.S. Route 23 stopped to buy the pecans, and Stuckey’s wife Ethel created a number of homemade candies to sell at the stand.
As travel on the nation’s highways became popular post-World War II, Stuckey’s expanded, eventually growing to more than 350 franchises across the nation. They frequently were paired with gas stations, restaurants, and nice clean restrooms.
By the late 1970s, the company had declined to more fewer than 75 stores, but it has slowly grown back to just over 100 franchises.
Earlier this week, I drove to South Carolina to work on a freelance feature story and saw a Stuckey’s on Interstate 95. While this little franchise was dwarfed by places like South of the Border, the familiar gas pumps and Dairy Queen were still inside. And the bathrooms were pretty clean too.
Since we moved to Alexandria earlier this year, opportunities have been rare to just wander Old Town with a camera and catch what my eye sees. On Christmas Day, my son Ben — a photographer in his own right — asked if we could walk around for a little while and "just shoot." So we did, complete with a beautiful and strange twilight sky. Here's what I caught.
Here are some photos from the final public performance of Metropolitan School of the Arts’ Frosty Follies revue on Saturday night. The 22-minute, high-spirited holiday show featuring Santa, Frosty, Rudolph and friends played to a huge crowd at the Springfield Town Center’s main entrance.
Frosty Follies is a holiday tradition for the studio, with performances scheduled from the day after Thanksgiving to mid-December. Select public performances are combined with various holiday shows for nonprofit organizations each year. For more information, visit www.metropolitanarts.org.
To see more photos from the show, go to my Facebook album here.
During a 10-day trip to Texas earlier this month, I was fortunate to catch Grammy and Academy Award-winning songwriter Ryan Bingham in an intimate acoustic show at the 299-seat One World Theatre outside Austin.
Austin-based Reckless Kelly stopped at City Winery in Washington, D.C., as part of a short East Coast tour that runs through Nov. 8. Two decades into their career, the band remains a forceful stage presence deserving of a much wider audience.
A pleasant surprise was opener Jeff Crosby and the Refugees, who played a 40 minute set. During Reckless Kelly's encore, Crosby came out to play with the band on covers of Tom Petty's "Listen to Her Heart" and Creedence Clearwater Revival's "Fortunate Son."
On Wednesday, I had the opportunity to meet two of my music idols — Steve Earle and Emmylou Harris — during a fundraiser for the New York-based Women’s Refugee Commission. The event, held at The Mansion on O Street in Washington, D.C., preceded the musicians’ concert at the Warner Theatre as part of The Lantern Tour.
Lila Downs, who also performed at the concert, and dobro legend Jerry Douglas also mingled with the 75 to 100 guests who appeared at the meet and greet. Sarah Costa, the commission’s executive director, and Michelle Brane, director of migrant rights and justice, spoke at the event, as did Harris’ longtime friend, Gail Griffith, and Mansion owner H.H. Leonards.
The Lantern Tour is a series of five acoustic concerts featuring a rotating cast of musicians. After opening Tuesday in Nashville and moving to D.C., the tour features stops in Collingswood, N.J. and Boston before it concludes Sunday in New York.
The tour was developed by Harris and Earle in response to the Trump administration’s “family separation” policy for immigrants seeking asylum at the U.S.-Mexico border. Thursday’s concert also featured Jackson Browne and Shawn Colvin.
For a review of the show, go to my new Music: Live & Otherwise blog here.
Photos from an acoustic evening with Lyle Lovett and Robert Earl Keen at The Birchmere last week. For a review of the show, go to my new Music: Live & Otherwise blog here.
Taking a side road and seeing where it leads you is one of my favorite things to do when traveling. Those opportunities are rare, however, and I can’t help but feel like I’m missing out on a lot every time I'm in a new place.
This was especially true during the ongoing saga of this month's 10-day trip to New England. Throughout the adventure, Mother Nature let me and everyone else know she is in everlasting charge. (No shock to the folks there I realize, but still…) The arrival of fall meant the weather ping-ponged all over the place — sunny and warm one minute, cloudy and cold the next, wet after that.
Nowhere was this in more evidence than during the 20+ hours I spent in New Hampshire, the bridge state on my trip from Vermont to Massachusetts. Traveling alone — my friend, Eric, had left Vermont early due to a death in the family — I dodged clouds and raindrops and found a couple of sunny/cloudy moments to take pictures.
These photos were taken in Sunapee and on the grounds of the Fells House, a lakeside estate that was originally the summer home of John Milton Hay, who was Abraham Lincoln’s private secretary during the Civil War and Secretary of State from 1898 to 1905.
To see more photos, go to my Facebook album here.
The fourth and final album from this month's New England adventure focuses on Cape Cod, where my wife and I stayed at a friend's beach house for two-plus days. As it was throughout the trip, the weather was flaky, with a beautiful sunset one evening and two solid days of rain that accompanied us all the way back to Boston. These photos were taken in three places: Provincetown, Wellfleet, and Hyannis.
To see more photos, go to my Facebook album here.
A true highlight of a 10-day trip that covered large parts of New England was spending an afternoon with one of my best friends seeing sites in his home state of Vermont.
Throughout the trip, the weather was decidedly unpredictable, a mashup of sun, clouds, fog, drizzle and rain. It was all three last Sunday, especially as my friend Eric Kleppinger and I approached Smugglers Notch.
Referred to as “the notch” by Vermonters, this mountain pass separates Mount Mansfield — the highest peak of the Green Mountains — from Spruce Peak and the Sterling Range. Its name comes from Thomas Jefferson’s Embargo Act of 1807, which prevented the U.S. from taking part in trade with Great Britain and Canada.
Vermont’s proximity to Montreal made the state a convenient trade partner, and Jefferson’s embargo — an attempt to prevent American involvement in the Napoleonic Wars — caused great hardship. Smugglers Notch was a way to carry goods and herd livestock illegally.
Over time, Smugglers Notch was used by fugitive slaves as an escape route to Canada. When the one-lane road at the peak was created for automobile traffic in 1922, it became a convenient way to smuggle liquor into the U.S. from Canada during prohibition.
Eric told me these stories as we approached the summit on an overcast Sunday morning. Fog and mist rolled in as we moved toward the notch itself. We parked and got out — the area is popular for hikers — and I took these photos.
To see more from my "Smugglers Notch" album, go here.
As I see it, a person’s life is a collection of experiences, big and small. What I love about this work are the types of experiences it brings to my daily life. Each job — whether it’s a photography assignment or a freelance story — provides new opportunities for learning. Each trip to another place represents another chance to be creative, and then share what I see with my eyes.
Chaotic juggling at times? Certainly.
Scary to be out on a creative and financial limb? Definitely.
I would not be able to do this work without the support of Jill, my wife and partner in this life, and my family, friends, and clients. I am eternally grateful to each and every one of you who takes the time to look at my work, show me what you like, and help me in the search for ways to improve.
I hope you enjoy my collections.
Earlier this week, I posted a series of photos from a recent trip to Smugglers Notch at the top of the Green Mountain in Vermont. Here are more photos I captured on the visit, showcasing the changing leaves, the beauty of the landscape, and a 1939 Hudson found in a backyard.
To see more photos from "Visiting Vermont," go to my Facebook album here.
My wife and I took a three-day mini-vacation this past week to Virginia's Shenandoah Mountains. It was a chance to unplug and get away from everything — except my camera, of course. To see more from this album, go here.
One afternoon. Two dancers. A black box and a chance to experiment with angles and light for something a little different. To see more, go to my Facebook album here.
As a photographer who loves architecture, I’ve long been fascinated by the imagery you can find in churches, so it is somewhat surprising that — until last weekend — I had only been once to the Washington National Cathedral.
Gary Rubin, a photographer friend, and I shot photos of the cathedral on a weekend excursion in 2016, but most of the photos were outside and in the Bishop’s Garden. Time and circumstances prevented us from truly exploring the inside — the cathedral is the second largest church in the U.S. — and I vowed to return at some point.
Last Sunday, another longtime friend (Cecile Holmes) was in town for a journalism educators conference. Cecile and I have known each other for more than 30 years since our days at the Houston Chronicle, where she was the religion editor and I briefly worked on the features copy desk.
Cecile, now a professor at the University of South Carolina, had arranged a tour for the journalism educators group with Kevin Eckstrom, one of her colleagues who now works as the cathedral’s chief communications officer. She invited me to come along, and I jumped at the chance to learn more about this fascinating structure and take some photos.
You can see the results here, including several photos taken during a quick 5-minute visit to the seventh-floor overlook at the back of the chapel. With limited time and lighting coming from all sides, the photos from up top — scattered throughout the album — were a challenge to get, but I’m pleased with the result.
For those of you interested in history, here are some facts we learned during the 90-minute tour:
• Formal name: The Cathedral Church of St. Peter and St. Paul in the City and Diocese of Washington.
• Affiliation: Episcopal
• The longest ongoing construction project in Washington, D.C.’s history, work on the building started in 1907 and ended in 1990.
• Designated by Congress as the “National House of Prayer,” the cathedral is funded entirely from private sources. Fundraising has been ongoing for operations and maintenance, as well as repairs following the 2011 earthquake that damaged parts of the facility.
• State funerals have been held at the cathedral for three American presidents — Eisenhower, Reagan, and Ford. Woodrow Wilson, the only U.S. president buried in Washington, D.C., is entombed in the cathedral. (Also buried in the cathedral: the ashes of Helen Keller and her tutor, Anne Sullivan.)
• The Rev. Martin Luther King Jr., delivered his last Sunday sermon on March 31, 1968 from the cathedral’s “Canterbury Pulpit.” He was assassinated the following week in Memphis.
• Based on various Gothic architectural styles from the Middle Ages, the cathedral has more than 200 stained glass windows. One, which honors the landing on the Moon, includes a fragment of lunar rock in the center.
• Befitting a national memorial, the cathedral has a mix of religious and secular decorations. It includes statues of George Washington and Abraham Lincoln, tributes to America’s war veteran, and state seals that are embedded in the floor of the narthex.
Thanks to Cecile, Kevin and the group for allowing me to join them on the tour. I highly recommend taking some time to see the cathedral if you have the chance. For more photos, go to my Facebook album here.
The first of the three multiple week camps Metropolitan School of the Arts holds each year is Fly, a two-week dance intensive that ended with a performance at Northern Virginia Community College's Annandale campus. Here are some highlights from the dress rehearsal; see more here.
On Friday, students who participated in MSA’s two-week musical theatre camp performed two shows in the studio's black box theatre. The students performed selections from current and former Broadway shows, including "Pippin," "Mean Girls," "Once on This Island," and "My Fair Lady," with a 10th anniversary shout out to "High School Musical." Below are some highlights, with more in my Facebook album here.
Photos from every show I've shot for MSA are now available on the studio's SmugMug website. You can see my archive dating to 2013 here.
This is the last post with information related to the “Wonka” photos that have been posted over the past two weeks. The 1,000-plus pictures from the show have been broken down into seven sets/albums. Each has been posted to Metropolitan School of the Arts' SmugMug website.
To see highlights from each show on Facebook, clink on the links below and you will go to the corresponding album.
The process of working on a show as large as "Wonka," which involved hundreds of children and four performances in the same week, can be daunting. I've written a blog entry that explains the process behind shooting and showcasing each performance. Find it here.
Anyone who knows me understands how much I enjoy shooting live theatre and dance. That said, photographing a live event — especially when it’s something you’ve never seen — can be daunting.
Even though my skills have certainly evolved since I started shooting our kids’ dance recitals almost a decade ago, I’ve seen time and again why some compare photography to golf. No matter what, there’s always room for improvement.
After a year away, I have greatly enjoyed shooting photos during the 2017-18 season for Metropolitan School of the Arts, which concluded last month with the annual spring production/recital. This year brought us four performances of “Wonka,” an adaptation of the famous children’s story.
Photographing a show this large is both a marathon and a fascinating challenge. Four dress rehearsals in four nights, with class dances mixed in with the narrative, make up the three-hour show, which is then performed over a weekend.
One goal I’ve always tried to meet is to photograph the director’s vision through my eyes (or eye, as the case may be). That means walking around and trying different shots from different parts of the auditorium, which is something you can do when shooting a dress rehearsal. At the same time, I work to be as inclusive as possible — taking photos of every dance and every group as they are on stage.
The result is a lot of photos — about 6,000 shot for this particular show. It’s both the blessing and curse of digital photography — shooting way more than you might need because you can delete the image rather than pay for a print.
Once the performance is over, that’s when the “job” part of this task truly begins: How do you take 1,500 photos from each of the four shows and present a selection in a way that:
• Is not overwhelming.
• Is fair to as many of the participants as you can capture.
• Presents the show — and studio — in a good light.
• Makes people want to come back for more.
So, as I start to post photos from the show, let me explain the process.
This year, MSA has purchased a license for a SmugMug website, where you can download watermarked photos for free and purchase prints/high-resolution downloads at a low cost. (The website is at http://metropolitanarts.smugmug.com). Parents and students can go here and download the photos for free (with our shared watermark), or purchase prints/downloads at a low cost.
As much as parents and their children want to relive the memories of the show, sorting through masses of pictures puts a huge strain on the eyes. I’ve tried to break it down in a way that makes sense and allows you to find the photos in an organized manner.
Sorting and cutting down the number of photos is the first phase. With double casting for many of the principal roles, I merged the ensembles from shows 1 and 4 and shows 2 and 3 to get the best possible representation of the narrative. Those are where these photos are from and they are the first albums you will see.
I’ve tried to make sure every class dance is represented by at least one photo (usually more). Class dances from each show will appear in separate albums in the coming days, except for the ones that were featured in all performances and will be separated into a fifth album.
Once the culling, sorting and organizing is complete, editing the photos (mostly cropping and color correction) begins. Each album is uploaded to the SmugMug site, and then I cull through the photos again so highlights can be shared on social media.
I’ve attempted to be as thorough and complete as possible. It’s not a perfect system, and chances are I’ve missed some things, but I hope I’ve captured the spirit and hard work that went into this show.
If you have any questions, feel free to send me an email at firstname.lastname@example.org, and enjoy the photos!
With Jill at her conference in LA, I spent three-plus days in New York with Ben and Emma. As usual, we ran around quite a bit, but the best part (in addition to the company, folks and family we saw) was having a chance to take photos in a relaxed setting with one of my dearest friends. Nothing beats an opportunity to walk around New York City with a camera and time on your hands.
To see more photos in a larger format, go to my Facebook album here.
An estimated crowd of more than 30,000 people rallied in Washington, D.C.’s Lafayette Park Saturday to protest the Trump administration's immigration policies. The "Families Belong Together" march and rally was held despite steamy, stifling hot weather in which temperatures reached the mid 90s.
In addition to speeches and performances, the rally featured a march from the park to the Department of Justice offices, and a fire truck that sprayed water outside Lafayette Square offered children and adults a chance to get away from the heat.
The rally was one of more than 600 marches that were held Saturday to protest the administration’s “zero tolerance” policy that separates children from their parents at the border.
To see more of my photos, go to my Facebook album here.
And finally, take a look at this CNN report on the march and you might see some folks you recognize.
I've been experimenting recently with some abstract photo art, trying to broaden my horizons in other directions. What do you think of these four pieces?
This weekend marks 5 years since I started this website and my Facebook page to share my photos and writing. The goal — then and now — was to tell stories through words and images while building a business that focuses on creative expression. Thanks to all who have supported this journey. Tell your friends to join in, and enjoy the work!
I'm always taking pictures. Sometimes it's not convenient to take my camera, so I like to put my phone to the test.
Here are five I took yesterday in Durham. I did not have my DSLR with me — and quite frankly, it would have been awkward if I had — but I enjoy seeing what I can get with the iPhone. Because, while this may go against what some commercial photographers think, I believe that you can find and create works of art no matter the tools.
I've been fortunate to shoot five shows over the past year and a half for Boston's Wheelock Family Theatre, including last month's final dress rehearsals for "Stuart Little." The final mainstage show of the 2017-18 season, this fun and entertaining theatre experience ends its run on Sunday.
Two weeks ago, I was fortunate to again shoot photos for the Legal Aid Society of the District of Columbia’s annual Servant of Justice Awards Dinner. The 29th annual event raised $1.3 million to provide legal assistance to people who live in poverty in our nation’s capital.
Honorees included Servant of Justice recipients Abid Riaz Qureshi of Latham & Watkins and Thomas C. Papson, a volunteer staff attorney for Legal Aid. Jahnisa Tate Loadholt, a senior associate at Alston & Bird, received the Klepper Prize for Pro Bono Excellence. Monica Jackson, president of the Terrance Manor Organized for Change Tenants Association, received the Partnership Award for leading her fellow residents in a fight against a landlord who had allowed their housing complex to deteriorate into unlivable conditions.
DeMaurice Smith, head of the National Football League Players Association (NFLPA), introduced Querishi, a longtime friend and colleague.
Founded in 1932, the Legal Aid Society is Washington, D.C.’s oldest and largest general civil legal services organization.
There's only so much you can do when forced to rely on an iPhone at a concert. Sometimes, if you're lucky, you can get an interesting image. Here are two of Willie Nelson & The Family performing at The Anthem in Washington, D.C., last night.
Tonight is the opening of “Stuart Little,” Wheelock Family Theatre’s final mainstage production of its 37th season. I was pleased to see three of my photos incorporated into the theatre’s logo to celebrate its commitment to diversity, inclusion and equity.
The 50th anniversary of Martin Luther King’s assassination prompted me to revisit photos from my 2012 tour of the National Civil Rights Museum in Memphis. The museum, which opened in 1991, is located in the Lorraine Motel — where King was shot on April 4, 1968 — and various historically significant buildings in the neighborhood.
The museum chronicles the history of the Civil Rights Movement from the 17th century to the present. An exhibit that runs through this December, for example, looks at how events in 1968 are connected to today. Examples include sections looking at how King’s Poor People’s Campaign compares to Occupy Wall Street and how the Memphis sanitation worker’s strike is connected to today’s Fight for $15 minimum wage protest.
King was shot while standing on the balcony outside his hotel room, located one block off Main Street. He had come to Memphis to lead a nonviolent march that supported the sanitation worker’s strike. The hotel, which is located one block from Main Street, was long one of the top destinations for African-Americans to stay in segregated Memphis.
While I’m certain the photos in this album no longer truly capture the site today, you can see the visceral power and emotion that a tour of the National Civil Rights Museum generates. As we look at King’s legacy and struggles that remain relevant today, it is an essential place to visit if you’re ever in Memphis.
To see more, go to my Facebook album here and look for a new "Places" album coming soon.
Random photos taken during recent trips to New York City. After going to Manhattan only a handful of times in 2017, it's been fun walking around the city with my camera again. To see more photos in this series, go to my Facebook album here.
Random photos taken during recent trips to New York City. After going to Manhattan only a handful of times in 2017, it's been fun walking around the city with my camera again. To see more, go to my Facebook album here.
Less than two weeks left to see my exhibit, The Resilience Project, in the Arches Gallery at the Workhouse Arts Center (building 9). The gallery is open Wednesday through Sunday.
Next month, I will be the featured artist in the Arches Gallery at the Workhouse Arts Center. My show, "The Resilience Project," will be up from March 7 to April 1 and will include work by the students I'm teaching at Holmes Middle School. An opening reception will be held from 6 to 9 p.m. on March 10.
The Workhouse was kind enough to issue a press release on the show, which will feature 28 photos that focus on how people adapt in the face of day-to-day stress, adversity, trauma, or tragedy. Resilience often is associated with cataclysmic events, but it is knitted through the web of everyday life.
Here’s the quote they used: “These photos, taken over the past several years in multiple states, tell the stories of recovery from some of our nation’s worst natural disasters as well as dedicated artists and athletes who have been faced with obstacles while pursuing the craft they love. They also illustrate the determination of historically marginalized populations as well as the struggles families go through in day-to-day life.”
To see more on the show, go to http://glenncook.virb.com/resilience. #artsfairfax
A huge thanks to everyone who came out last night to see reception for my show, “The Resilience Project,” at the Workhouse Arts Center. More than 100 people walked into our gallery in Building 9 during the three-hour Second Saturday Art Walk.
The gallery is open Wednesdays through Sundays and the show runs until April 1. I’m so grateful to Jill, Nicholas and Conner for being there last night (and putting out an amazing spread of food), and to friends old and new.
Thanks again. #artsfairfax
A gallery of photos from Saturday’s “March for Our Lives,” one of the largest student-driven protests in U.S. history, is now up on my website here. You also can see a larger gallery of photos on my Facebook page here.
Crowd estimates ranged from 200,000 to 850,000 as students, parents, and activists of all ages and from across the U.S. and Canada jammed Pennsylvania Avenue and side streets from 3rd to 12th Avenue.
The Washington, D.C., event was the largest of 800 marches across the country spearheaded by a group of students from Marjory Stoneman Douglas High School in Parkland, Fla., where 17 students and staff were killed by a gunman in February. The march came on the heels of a nationwide student walkout earlier this month; a second walkout is planned on April 20, the anniversary of the 1999 shooting at Columbine High School.
#marchforourlives #washingtondc #StonemanDouglas #rally#guncontrol #photography #eventphotography
Given the attention around the March for Our Lives and the students’ determination to make changes, I thought I’d make one last plug for my featured artist photo exhibit, “The Resilience Project,” on display through Saturday in the Arches Gallery (Building 9) at the Workhouse Arts Center.
"The Resilience Project" includes 28 of my photos and 10 taken by students at Holmes Middle School in Annandale. It is on display from 11 a.m. to 6 p.m. Wednesday through Saturday. Stop by and take a look if you get the chance! You can see and read more about the show by going to http://glenncook.virb.com/resilience.
My featured artist exhibit, "The Resilience Project," is on display in the Arches Gallery (building W-9) at the Workhouse Arts Center in Lorton through April 1. A reception will be held as part of the center's Second Saturday Art Walk from 6 to 9 p.m. on March 10.
Included in the exhibit are 28 photos focused on the theme of resilience, as well as photos taken by students from Holmes Middle School in Annandale. The student work is part of the Artist in Residence program I'm participating in thanks to the Arts Council of Fairfax County.
Come see my work! To read more about the exhibit and get a preview of the photos on display, go to http://glenncook.virb.com/resilience
Earlier this week, I had an opportunity to shoot photos of the iMpulse company at Metropolitan School of the Arts. The purpose was to promote “10Plus1,” a show on April 15 that will mark the company’s 10th anniversary and be the spring performance of the Metropolitan Youth Tap Ensemble. Iconic movies will be one of the themes.
Of course, when a photographer has a number of talented dancers in a black box theatre, we had to take some additional shots, so I have a few “outtakes.” To see more, go to my "Art & Dance" gallery here.
Last month, I shot my fourth show at Wheelock Family Theatre, a regional Equity house in Boston. Thanks to a new partnership with Wheelock, photos from the production of "Beauty and the Beast" are now available for download and purchase on my SmugMug site.
Prints cost $1 for a 4x6, $3.50 for a 5x7, $6 for an 8x10 and $7 for an 8x12. Individual and full albums digital downloads also are available for purchase. A watermark appearing on the images online will not appear on either the prints or downloads. All proceeds will be shared with Wheelock.
To see the photos, go to https://glenncookphoto.smugmug.com/WFTheatre.
For the past three years, I have taken concept photos of the graduating seniors at the Academy of Metropolitan School of the Arts, working with the students to develop concepts that combine their interests and talents. This year’s portrait series, taken in the black box theater at MSA’s studio in Alexandria, focused on shadows. I also shot cap and gown photos of the four seniors, who will complete their school work in June.
To see the entire gallery of MSA graduates — 19 in all — go here.
#photography #seniorphotos #dancephotos #performingartsphotography #capandgownphotos #MSA
Headshots, senior photos, family portraits and corporate shoots are available as part of my services. As I continue to make updates to my site, take a look at some of my clients from 2017. And be sure to give me a call/email if you'd like to have your own photos taken!
Four of my photos, including these two from a shoot last year in Salt Lake City, are featured in a story on Tade Biesinger in today's Deseret News. Tade, who lives in Bountiful, Utah, was Billy Elliot on Broadway and in London. Now a high school senior, he is in the cast of the Pioneer Theatre Company's production of "Newsies," which runs Dec. 1-20.
Nice to see one of my photos in the Boston Globe this week, accompanied by a stellar review of Wheelock Family Theatre's production of "In the Heights." To read the review, click here.
New headshots of Gabriella, a senior at South County High School, are now up on my website. Take a look and schedule your session soon!
Over the past several months, I've been shooting a series of conferences/performances, writing freelance stories, and taking headshots. That's the good news.
The bad news is this blog has been a little neglected during that time.
I have been updating the blog with things you missed, one of which is this gallery of your favorite photos from 2017. You can see these and others in my Facebook album here.
All of these are for sale, in whatever size or configuration you'd like. I think they'd make great gifts, nice sets of cards, etc. If you're interested in something, send me an e-mail or message on Facebook and I can get you a price list.
I hope you enjoy taking a look at some of the random things I see, and I promise to be back with more soon.
New Year's Day 2018: Super moon over a frozen Potomac River.
This week, I returned to Boston’s Wheelock Family Theatre to photograph its production of “In the Heights.” The first show of Wheelock’s 2017-18 season, Lin Manuel Miranda’s Tony Award-winning musical opens tonight and runs through November 17. Performances are at 7:30 p.m. Fridays and Saturdays with matinees at 2 p.m. Saturdays and Sundays.
Wheelock Family Theatre, which was founded in 1981, is the fourth largest theater company in Boston. Its mission is to provide “professional affordable theatre that appeals to people of all ages,” and the organization also provides education programs on site and in the Boston public schools.
This is my third time to shoot a Wheelock show, after working on “Billy Elliot” and “Charlotte’s Web” earlier this year. It is a pleasure to spend time with a group of creative and dedicated volunteers and professionals who love their craft.
New York City is one of my favorite places to photograph, even though I don’t get up there as much as I once did. These were taken during a quick two-day trip just before Christmas. I’ve posted two albums to Facebook here and here, and put several on my Instagram page (@glenncookphotography) as well.
A quick one-day roundtrip to Pittsburgh — 520 miles in all — didn't leave much time for photos, but I did take out my camera for a few minutes in downtown and again for a sunset in Somerset, Pa. to see these photos full size, go here.
#landscapephotography #photography #Pittsburgh #PointParkUniversity #urbanphotography #winterphotos
Headshot Week #7: Take a look at these photos of high school senior Anissa, an aspiring performer from Hickory, N.C., at http://glenncook.virb.com/anissa17.
Headshots, portfolio pictures, and senior photos are among the services I offer. Contact me to set up your session!
Another new set of headshots: Lucia, a high school senior applying for colleges now. Check them out at http://glenncook.virb.com/lucia.
As a child, I didn’t get the chance to travel much during the summers. Most of our trips were to visit family in various parts of Texas — Longview, Waco, Albany — and I spent most of my time buried in a book as the landscape passed by. Other than a quick jaunt around Longview in a family friend’s plane, I didn’t fly on a commercial airline until I was in high school. (Ironically, that trip was to Washington, D.C.).
It wasn’t until I was in my 40s that I started traveling quite a bit, thanks to my job and family situation. Now, it seems, I’m on the road as much as I’m at home. And my camera is always with me.
On this blog, I’ve shared almost 1,500 daily photos over the past four-plus years, and started a Places section on my website with galleries and short essays about interesting sites I see. More often than not, however, the photos I shoot are of random things that catch my eye.
Here are 20 images from the past month. To see them in a larger format, go to my Facebook album here.
Over the next couple of weeks, I'm posting a series of headshots and senior photos to my website, starting with these of Kayla. See more at http://glenncook.virb.com/kayla.
Just added an Instagram account for my business. Follow me @glenncookphotography
In 1967, at the height of unrest in the U.S. over Vietnam and social/racial issues, as many as 100,000 people swarmed San Francisco’s Haight-Ashbury neighborhood in the hopes of “creating a new social paradigm.” Today, the 50th anniversary of the Summer of Love is being celebrated in a remarkable exhibition at the de Young Museum in Golden Gate Park.
Titled “The Summer of Love Experience: Art, Fashion, and Rock & Roll,” the exhibit features posters, photos, interactive music, light shows, costumes and textiles that tell the story of a summer in which artists, activists, writers, and musicians converged on the Bay Area neighborhood.
The de Young exhibit, while celebrating the hippie culture and flower power, does not gloss over the problems that ended the Summer of Love almost as quickly as it began. Haight-Ashbury was not equipped to handle the crush of people, and the neighborhood rapidly deteriorated due to overcrowding, homelessness, crime and drug use.
However, the legacy of the Summer of Love lives on to this day. As the museum says in a digital exploration of the exhibit, “The social developments in San Francisco and the Bay Area in the 1960s as epitomized by the Summer of Love catalyzed a set of ideas that would eventually lead to new norms: the birth of the natural food industry, concern for the environment, sexual liberation, and challenges to the nuclear family. The era’s political and social activism had a significant impact on the course of American history. The counterculture touched every facet of American culture, offering alternatives to the mainstream that still flourish today.
It is a fascinating exhibit, well worth your time if you can make it to San Francisco between now and Aug. 20. These photos attempt to capture what I saw during an afternoon walk through.
Sixty-nine of my photos, images taken throughout Virginia and Washington, D.C., now adorn the walls of Innovation Health’s new and recently expanded offices in Falls Church, Va. All but one of the photos are professionally printed and framed 16x24 images; the last, a frozen Potomac River, is a metal 36x24 print.
This project has been in the works for several months and more photos have been added as part of the company’s expansion. The last set of images were delivered last week, and I wanted to share the work here.
Innovation Health is the result of a unique partnership between two industry leaders: Inova and Aetna. Inova is a nationally recognized not-for-profit health care system serving more than 2 million people each year. Aetna, one of the nation’s leading health care benefits companies, serves more than 22 million medical members. Innovation Health also is the official health insurance company of the Washington Redskins.
If you know someone who would be interested in this type of project, large or small, for their business or company, please consider giving my name as a reference. I also am working on an expanded webpage to sell prints of these and other images that should be up in the near future.
Meanwhile, if you are interested in purchasing prints of my work, send me a private message on Facebook or an email to email@example.com.
Thanks again to the staff at Innovation Health for their faith and kind words, and to my photographer friends and family who helped along the way.
Last week, after Jill’s conference ended in Denver, we took some time to explore the beautiful state of Colorado, but rain and clouds marred a portion of our visit to Colorado Springs. Still, we forged on to Pikes Peak and Seven Falls, two locations that anyone visiting the state should see.
Pikes Peak is one of 53 “fourteeners” in Colorado, and the 14,115-foot summit is higher than any point in the United States east of its longitude. Named in honor of explorer Zebulon Pike, the trip included a treacherous 19-mile drive to reach the summit, with stops at centers at the 6- and 12-mile points.
The clouds were threatening at the first stop, and by the time we reached the summit, temperatures had fallen to 36 degrees amid sleet and drizzle. I later learned that the summit has a polar climate due to its elevation, which means it can snow year-round.
What I found interesting about Pikes Peak is how commercial it is, in part because it is not part of the National Parks Service, and that gives parts of it an odd theme park feel. Also, the switchbacks on the winding drive, which look like EKG results from the sky, take your breath away almost as much as the thinning air.
Next, we went to the Broadmoor Seven Falls, a series of cascading waterfalls in the South Cheyenne Creek in Colorado Springs. A privately owned tourist attraction that opened in the 1880s, the falls were purchased after severe flooding and restored by The Broadmoor in 2014.
The falls are beautiful, but by late afternoon, the cold and rain helped us make the executive decision not to climb the 224 slick steps to the top, especially after we learned someone had fallen when we got there. I did manage to get a few nice pictures though.
Last month, after shooting a conference in San Francisco, I had an afternoon to visit a couple of places I’d wanted to see in previous visits to the city. Ultimately I decided on the expansive Golden Gate Park, home to the de Young Museum and the National AIDS Memorial Grove, among many other attractions.
After spending two hours at the de Young’s exhibit commemorating the 50th anniversary of the Summer of Love — another “Places” album coming soon — I walked toward the grove, a 10-acre memorial dedicated to those whose lives have been affected by this devastating pandemic over the past three-plus decades. Despite overcast, foggy skies, a female couple was walking through their wedding ceremony scheduled for the next day, and I had a lovely conversation with two college students who, like my own children, were not alive when the pandemic was at its worst.
San Francisco was one of the cities hardest hit by AIDS, and a small group of citizens developed the idea for the grove in 1988 as “a positive way to express their collective grief,” according to www.aidsmemorial.org. Eight years later, in 1996, Congress designated the grove as the national AIDS Memorial, giving it status comparable to the Vietnam Veterans Memorial, the 9/11 Memorial & Museum, and the USS Arizona at Pearl Harbor.
The About section of the memorial’s website explains the mission beautifully: “to provide, in perpetuity, a place of remembrance so that the lives of people who died from AIDS are not forgotten and the story is known by future generations.”
To see a 2014 essay I wrote related to the AIDS crisis, click on this link.
Four years ago today, I formally started my business with this photo, which was taken during a Memorial Day trip to New York City. Clicking the shutter that day, in May 2013, I did not know I would be unemployed in a week.
After 30 years in journalism and communications, moving from job to job and seeing professional growth with each position, being laid off left me — and my family — adrift. I knew I had to do something, but prospects in an ever-changing publishing world were limited. Also, having worked for the same company for 12 years, I had seen a once vigorous operation slowly succumb to financial and organizational erosion, and I wasn't sure I wanted to face that prospect again.
Being on your own has its downsides. You rarely know what the next day will bring. Stability is elusive. You can work 24-7 without batting an eye. You have to rely on the faith of others (especially family and close friends) and word of mouth. And you have to hope that your work is not just good, but good enough, so clients will pass along your name.
Knowing these things, I formally launched this photography and freelance writing business five weeks after losing my job. Working on this website over the Fourth of July holiday, I launched my Facebook page on July 7, 2013.
And here we are, four years and more than 12,000 photos later, having slowly but steadily built a client base that I can only hope will continue to grow. Thankfully, I've had the opportunity to branch off into all sorts of things, meet a wide range of new (and usually fascinating) people, and have the types of experiences I dreamed about while sitting at an office desk all those years.
The creative malaise I dealt with for 2+ years in my previous position — an apt visual analogy is 1,000 small but painful paper cuts — has never returned. If anything, I feel more creative and engaged than ever.
As a storyteller, one who uses images and words to tell his tales, these last four years have been a lifeline. And I know, without question, I could not do this if it weren't for my wife, Jill, and my families (biological and otherwise).
I'm eternally grateful for your help, support, comments and feedback along the way. Thank you, and I hope you'll keep coming back to visit/use my services.
I didn’t have much chance to walk through New Orleans last week. The city has battled rain all spring, and the two times that I could be outside were mired by weather that only added to the NOLA’s soupy skies.
Fortunately, given the rain and the humidity, I spent most of my time in the hotel shooting a conference. But here is some of what I saw during those two walks, and be on the lookout for another album that is of people I randomly caught on the city’s streets.
On a cloudy, soupy and humid Sunday, with less than a day to kill before I started shooting the first of two conferences this month in New Orleans, I decided to go on a tour of a Louisiana swamp.
The tour of Bayou Barataria started at the dock of Crown Point, located just 12 miles from the French Quarter and adjacent to the Jean Lafitte National Park and Preserve. Lafitte, the infamous pirate, used the bayou as his “highway” to New Orleans.
The tour included bayou views of a 200-year-old above ground cemetery known as the Indian Mound. We also saw herons, a couple of pelicans, and the inevitable alligators.
A couple of interesting facts from our guide at the Louisiana Tour Company:
• The major difference between alligators and crocodiles is gators hibernate for 3 to 4 months a year.
• Male alligators typically grow up to a foot a year until they reach 6 feet. They continue to grow — reaching up to 13 feet in length and more than 500 pounds — but the rate slows at about age 6.
• Female alligators are smaller and grow less quickly than males. They can reach 9 feet in length and more than 200 pounds.
• Alligators are color blind. It’s one reason they like, believe it or not, marshmallows. It’s true; I’ve seen it up close.
All in all, an interesting experience and an opportunity to take some fun photos.
To see more photos in the Places series, go here.
Hello, New York. It’s been a while…
On my first trip to the city in several months, I had the opportunity to take dance photos in Washington Heights with my twins (Ben and Emma) and three alums from the “Newsies” tour cast (Josh Burrage, Kaitlyn Frank, and Iain Young).
A subway tunnel on 191st Street and Fort Tryon Park provided the backdrop for this latest set in the series.
For more photos, go to my Facebook album here. Click on the "Art & Dance" tab at the top of this page to see more galleries in the series.
The Metropolitan School of the Arts Academy, which opened in 2013 with 15 high school freshmen and sophomores, graduates its second class this June. With the first class, I did a series of portraits at the Lorton Workhouse, incorporating the students’ chosen art form into the aesthetic of the former prison.
This set took a new, though somewhat familiar, path. In all but one instance, the students wanted to use the Workhouse, where the soon-to-be graduates spent three of their four high school years. The familiar setting, however, lent new opportunities for creativity.
The result is “Multiple Exposures.” I’m interested in hearing what you think.
To see the photos of all the MSA graduates, go to http://glenncook.virb.com/msa-grads.
Fourteen of my "Art & Dance" photos are on display and for sale this month at the Kingstowne Public Library in Alexandria, Va. The library is my favorite virtual office and one of the staff asked if I would be interested in showing some of my work, so I was more than happy to oblige.
Library hours vary, but stop by if you can to see the prints, which are on foam core and available for very reasonable prices. If you're interested in a price list, send an email to firstname.lastname@example.org.
When my oldest son moved to North Carolina as a toddler, we lived less than a mile from the American Tobacco Company plant. Today, Nicholas still lives in North Carolina, just a mile from the place that was home to the cigarette maker’s primary headquarters.
But times have changed greatly over the last two decades for everyone involved, in oh so many ways.
For me, the move from my native Texas to Reidsville, N.C., in 1993 represented a huge personal and career risk. Over the eight years I lived there, life as I knew it took a series of seismic shifts. I got a divorce, met the love of my life, remarried, had three kids in a calendar year, bought a house, changed careers and found lifelong friends.
I also saw a town and region face a series of seismic shifts of its own, as its economic drivers — mainly textiles and tobacco — left either gradually or almost entirely during that time.
A few months after I took over as managing editor at The Reidsville Review, the town’s largest employer was sold by its parent company. More than 1,000 employees — almost 10 percent of Reidsville’s population — lost their jobs because the American Tobacco Company was no more. Today, the plant that once employed more than 1,500 people and dominated the northern part of the town is only a shell of itself, with only a handful of workers plying their trade for a company that sells cigarettes in foreign markets.
Several years earlier, in 1987, American Brands closed the American Tobacco factory on Blackwell Street in downtown Durham. This, combined with declines in the textile industry, was a huge blow to the town on many levels; the company had been founded by the Duke family after which the university nearby is named.
For more than a decade, the tobacco campus remained vacant, a gigantic hole in the center of town. But in 2004, the Capitol Broadcasting Company started a $200 million renovation effort that has led to both an economic and cultural renaissance in the city’s downtown area.
The American Tobacco Campus, as it is now known, is home to office space, restaurants, and entertainment venues. The Durham Bulls Athletic Park, one of the nicest minor league baseball stadiums in the country, is adjacent to the campus, as is the Durham Performing Arts Center, the largest of its kind in North or South Carolina. The area attracts more than 2 million visitors a year.
Today, small businesses form a strong restaurant and entertainment district throughout the downtown area, luring back 20-somethings like my oldest son and his girlfriend to Durham, where they live in a converted textile factory about a mile from the American Tobacco campus.
Durham is cool — not Kool — again.
The past two decades have not been as kind to Reidsville, located in a rural area just north of Greensboro about 60 miles from Durham. Like many former factory communities across the nation, Rockingham County has struggled economically, and is facing a population decline.
The tale is all too familiar. Within a decade after the Reidsville plant was sold, The Review was a shell of itself as well. Started in 1888, around the same time that American Tobacco came into being, it has been sold twice since 1997, consolidated with two other community newspapers, and seen its frequency cut from daily to twice a week.
Over the past couple of years, I’ve gone back through Reidsville during my trips to North Carolina. On one recent trip, I went past The Review building and the former American Tobacco plant and thought again of how their fates — caused by an almost simultaneous explosion of the Internet and the new global economy — seemed intertwined and in some ways interchangeable.
Say what you will about big tobacco, and there’s plenty to say about that, but there’s no denying that the collateral damage caused by any major industry going through rapid decline has generational impacts. I’ve seen this first hand in journalism, my chosen field, with overworked staffs in small and midsized newspapers being sliced to the bone as the institutions that served communities for decades consolidated or closed entirely. Too many of my colleagues, hard working people with an invested interest in their community’s future, present and past, have found themselves out of work and scrambling to make ends meet.
When I moved to North Carolina, I took some time to revisit You Can’t Go Home Again by Thomas Wolfe, the state’s most famous author. I thought again of that book as I drove by the three houses and apartment where I lived, marveling at the snail’s pace in which small towns change, and recalling the tumultuous times that so dramatically changed my path.
It is a place, like my hometown, that will always be part of my history. And my son’s.
To see more photos from this essay, go to my Facebook album here.
Emi is an elementary school student from the Boston area who is working in local theatre. I am returning to Boston next Tuesday through Friday to shoot photos for Wheelock Family Theatre, and hope to schedule more sessions with actors young and old while there. If you're interested, send me an email at email@example.com.
Check out these photos of Max taken during a quick mini session in Boston earlier this year. I'm returning to Boston next week to shoot photos for the Wheelock Family Theatre and hope to schedule more sessions with performers young and old(er). If you're interested, send an email to firstname.lastname@example.org and we can set something up!
Two new freelance articles and several of my photographs appear in the current issue of three national magazines. All have been uploaded to the website and are now available for viewing.
• Several photos from last fall’s trip to Zurich, Switzerland appear in the Association for Career and Technical Education's March 2017 issue of its flagship magazine, Techniques. The trip focused on how Colorado schools are adopting facets of the Swiss apprenticeship model, which ACTE delves into with a feature and Q&A with the Swiss ambassador to the United States.
• Simple Logic, which is in the current issue of American School Board Journal, is a technology column that focuses on the need for more computer science and coding classes in K-12 schools. Today, only 24 states allow students to count computer science classes as part of their high school science credits. While more than a half million computing jobs are unfilled in the U.S., just 42,969 computer science students graduated into the workforce in 2015-16.
• LMJ Scholarship — Atticus Lee: The sixth in a series of stories about recipients of the Minority Corporate Counsel Association’s LMJ Scholarship appears in the current issue of Diversity & The Bar.
For more stories and features I've written over the past year, go to http://glenncook.virb.com/freelance.
John, a student at Metropolitan School of the Arts, is a repeat customer who needed new headshots. See the results at http://glenncook.virb.com/john2017, and consider scheduling a session today.
Seth is the seventh actor I’ve taken headshots or dance photos of who has played one of the most demanding child roles on stage — the title character in “Billy Elliot.” These photos were taken during a mini session in the middle of tech week for the show. You can see more photos at http://glenncook.virb.com/seth.
Check out these headshots of Shane, taken during a mini session in Boston in the middle of tech week for “Billy Elliot” in late January. The gallery is at http://glenncook.virb.com/shane. Shane played Michael for most of the month-long run as well as the title character.
One thing I greatly enjoy — and don't do enough — is going out with other photographers on shoots. It's a great way to talk about the art and craft of what we do, and I always learn something new.
On Sunday, just after the clocks sprung forward, longtime friend Gary Rubin and I went to Arlington Cemetery. We had no real agenda and no places we had to go. The result is a mixture of random things that caught my eye and a few takes on some of the iconic images at the national cemetery.
Traditionally we associate Arlington with its simple white markers, which are provided free to families by the U.S. Department of Veterans Affairs. There are a surprising number of elaborate gravestones, however, which prompted me to take a look at the story behind them.
According to Robert M. Poole's book, On Hallowed Ground: The Story of Arlington Cemetery, privately purchased markers were permitted from 1947 to 2001. The sections with these markers, most of them near General Robert E. Lee's former home at the top of the hill, are nearly full and the cemetery generally does not allow new burials. Older sections of the cemetery have a wide variety of private markers placed prior to 2001, including an artillery piece
Arlington, which was established during the Civil War after the Union seized Lee's home and grounds, is a massive place — 624 acres — making it impractical to try and cover everything in a single morning.
Enjoy these takes by visiting my Facebook album. I hope to return for more photos soon.
The Virginia Dance Coalition recently held DanceFest 2017 in Alexandria, a weekend event featuring master classes for students and performances by 13 area companies/studios. I was the official photographer for the event, which featured 20 performances in a two-hour show at the end of the festival.
These photos were taken during the dress rehearsal, where I could walk around and look for different angles, and the performance. Companies performing, in alphabetical order, were:
Ballet Arts Ensemble, Ballet Nova Center for Dance, Classical Ballet Theatre, DanceArt Theater, Encore Theatrical Arts Project, Fairfax Ballet Company, Kalavaridhi Center, Kista Tucker Insights, Metropolitan Youth Ballet, Nrityanjali, Play Time Tap, Virginia Ballet Company, and Xuejuan Dance Ensemble.
A new gallery is up in the Performances: Theater & Cabaret section of the website. To see more photos from the event, go to my e-store at http://glenncookphotos.smugmug.com. If you are interested in purchasing photos that are not watermarked, send an email to email@example.com.
Continuing our series of headshots, take a look at these photos of repeat customer Georgia, a second semester freshman at New York’s Pace University. The photos are up at http://glenncook.virb.com/georgia.
Day 2 in our series of newly posted headshots takes us to Boston, where I did a series of sessions as well as the production photos for a regional production of “Billy Elliot The Musical.” These photos were taken of Byron, an actor and motivational speaker who now lives in New York City. You can see the gallery at http://glenncook.virb.com/byron.
The last of the pictures in Road Show is one of only two that feature dancers. It also happens to be one of my favorites, taken of my daughter Emma in Pittsburgh last October.
The show runs through tomorrow night, when the Workhouse Arts Center holds its annual Collectors Showcase fundraiser. If you're interested in attending the Collectors Showcase, go towww.workhousearts.org to purchase tickets.
Two more photographs that appear in "Road Show," my exhibit at the Workhouse Arts Center that ends with the Collector's Showcase fundraiser this Saturday. Both photos have appeared here before.
The first, taken in October in Paris, is what you see when you look up from the ground at the Eiffel Tower. The second, "Congregation of Bees," was taken during a visit to Durham, N.C., last summer.
I hope you'll consider going to the exhibit before it closes. If you're interested in the Collectors Showcase event, go towww.workhousearts.org.
No Parking — Tustin, Calif., January 2016
On display and for sale at Lorton's Workhouse Arts Center, today's Daily Photo is part of my exhibit, "Road Show." Taken while searching for something to eat on a Sunday morning, I saw this bench in the parking lot of a hardware store. The texture and rich color of the wall had appeal, as did the bench's placement. I snapped the photo and went off to find food, not knowing until later what I had in my camera.
To see more photos in the exhibit, stop by the Workhouse from noon to 5 p.m. today. The show is open from 11 a.m. to 6 p.m. Wednesdays through Saturdays and noon to 5 p.m. Sundays through March 4. It is located on the second floor of Building 16 (Main Gallery).
My poster for "Road Show," now in building 16 at the Workhouse Arts Center in Lorton through March 4. Exhibit hours are 11 a.m. to 6 p.m. Wednesdays through Saturdays and noon to 5 p.m. Sundays.
View from the Ranch — outside Moab, Utah, August 2016
Part of my exhibit, Road Show, at the Workhouse Arts Center, the Daily Photo was taken outside Moab, Utah, during a photo excursion to four states last August. The scenery in this part of the U.S. is breathtaking, and the photos are equally good in black and white or in color. For this, I chose to stick with color because of the contrast between the rocks and the gorgeous blue sky.
To see more photos in the exhibit, stop by the Workhouse and go to the second floor of Building 16. The show is open from 11 a.m. to 6 p.m. Wednesdays through Saturdays and noon to 5 p.m. Sundays through March 4.
Behind the Altar — Paris, October 2016
Today's Daily Photo, part of my Road Show exhibit now at the Workhouse Arts Center, was taken behind the altar at the Cathedral of Notre Dame de Chartres in Paris.
For obvious reasons, you can't use a flash in the 13th century Gothic cathedral, which made for some logistical challenges given the steady flow of people walking through one of the most popular tourist sites in Paris. When I saw this shot, I knew it would be difficult to capture handheld, but managed to get this with a shutter speed of only 1/15th of a second.
Now through March 4, you can see this and other examples of my work on the second floor of Building 16 at the Workhouse. The exhibit leads off the center's annual "Collectors Showcase" fundraiser.
Harlem Mural — New York City, January 2016
Another "Road Show" selection, today's "Daily Photo" was taken while walking through Harlem with my wife last January during a trip to New York City. As anyone who visits this page regularly knows, I'm a great fan of graffiti and outdoor artists, and this one in particular caught my eye for two reasons.
First, seeing how the artist managed to navigate the many textures on the metal door is a remarkable feat. You can see many doors like this in New York and other urban cities, but this one is beautifully executed. Second, I love how the sprinkler/fire alarm bell is incorporated into the left eye, giving an already surreal work a cyborg effect.
You can see this and other photos through March 4 at the Workhouse Art Center in Lorton as part of "Road Show," the lead exhibit to the Collector's Showcase gallery on the second floor of building 16. The exhibit is open Wednesdays through Sundays.
Three "Daily Photos," all featured in Road Show, my exhibit now at the Workhouse Arts Center. Go see my show, now through March 4 on the second floor of Building 16.
Rest Stop — June 2016
Nottoway, Va., is about halfway between our home in Lorton and Greensboro, N.C., where my oldest son lived when he was a child. The Nottoway Motel, located just off Interstate 85, was a pickup/dropoff point for a number of years. Still heavily rural, the area now has a combination gas station/Subway/ Dunkin' Donuts just off the interstate, but the motel and a cafe remain open. Last June, while going to see Nicholas in Durham, I stopped by the motel and captured this picture.
Natural Geyser — Caribou County, Idaho
Last August, on a day trip from Salt Lake City to the Grand Tetons, I saw a sign pointing me to this natural geyser, which goes off every hour on the hour in Caribou County, Idaho. I stopped, waited until it fired up again, and snapped this photo.
Covered Bridge — Claremont, N.C.
Located just outside Hickory off Interstate 40, the 85-foot Bunker Hill Covered Bridge is one of only two remaining in North Carolina. Spanning Lyle's Creek, the bridge was designed by well-known Civil War engineer Herman Haupt. It is listed on the National Register of Historic Places. This photo was taken in September 2016.
Two and a half years ago, just after developing the “Art & Dance” concept, I took a group of ballerinas from Metropolitan School of the Arts into Washington, D.C., where we shot photos at a graffiti park and in the Federal Triangle. The shoot was very successful, and spurred much of what has taken place since with this series.
What was missing, however, was a second chance to take photos of MSA ballerinas in this type of setting. That changed on Monday, when five members of the Metropolitan Youth Ballet and a helpful apprentice went to Theodore Roosevelt Island and to Great Falls, Va., for the latest installment in the series.
Blessed by an early spring-like day, we navigated around an unusually large contingent of families walking around Theodore Roosevelt Island and took photos in a creek at a small park near the larger Great Falls facility.
At last weekend's Women's March on Washington, I was drawn to the vast variety of signs and messages directed at our nation's new president. To commemorate the historic day, I decided to create a collage of the various messages and make it available to anyone interested in purchasing it.
Titled "Signs of the Times," the print also is available with a foam core backing. If you are interested, send me an email to firstname.lastname@example.org. A portion of any profits will be given to one or more nonprofits that served as "Partners" on the march.
An estimated 500,000 people descended on Washington, D.C., Saturday to show their support for women’s rights the day after the presidential inauguration. The march, which started with speeches and performances at 10 a.m. and did not finish until late afternoon, was an incredible demonstration of support for women as well as traditionally marginalized groups.
The large number — organizers had originally predicted 200,000 — of people overwhelmed cell towers. The Metro system set a record with more than 1 million riders on Saturday alone.
That said, the event was peaceful and largely positive. More important, no arrests were reported the day after 230 were jailed during protests by self-described anarchists in D.C. for the inauguration. #WomensMarch #WomensMarchOnWashington
For more photos, go to my Facebook album here.
Blast of Water — New York City, November 2016
This is the last week of "Road Show," my photography exhibit at the Workhouse Arts Center in Lorton. This piece, one of 12 on display and today's "Daily Photo," was taken at a fountain near City Hall in Lower Manhattan last fall.
To see the other photos in the exhibit, all of which are for sale, go to the second floor of Building 16 at the Workhouse.
Photos for Sale