Conclusion: Being interviewed by an aspiring teenage photographer — the director’s cut. This section focuses on the “Art & Dance” series.
What led to the “Art & Dance” series?
My twins, Ben and Emma, are dancers (as was their sister, Kate, until she was in high school). So, as the family photographer, I found myself taking pictures of their recitals, just like I did with Nicholas and his theatre/music performances in high school and college. For a long time, I had to take hundreds of pictures just to get a few I liked.
And there are reasons for that.
First, I shot a lot of pictures indoors, and until I got a good camera body (Canon 5D-Mark III) that works well in low light as well as a number of F2.8 lenses (the expensive ones), I was working at a disadvantage, especially indoors.
Second, I usually shot performances, which meant that I sat in the same place and tried to capture things on a stage. That was both fun and boring at the same time, because I had to wait instead of create, and I had to rely on lighting that was completely out of my control.
In 2014, I was looking for a new creative challenge, one that was more conceptual and artistic. I was always told that I had more of a news eye than a conceptual one and, for a long time, I believed that, but I wanted to challenge myself because it was something I hadn’t done before.
That’s when I came up with the idea of taking pictures of dancers in natural light and in unusual settings. This is not a unique thing; you can find countless images all over the web. But it solved two concerns for me: 1) I wouldn’t have to worry about slow shutter speeds and sitting in the same place all the time. 2) I could see if my conceptual eye (the Art) could match the skills of the performer (the Dance).
What challenges did you find in doing this?
Unfortunately, at least at the beginning, I shot the “Art & Dance” pictures the same way as I did the performances. As someone who doesn’t dance, I didn’t understand the “peak” and missed it over and over, as my kids took pains to remind me constantly.
Things changed for me when I realized that I needed to try different angles. I do that in my other photography, but why not dance? Often when I sit I can capture peaks because my eye is at the same level as the dancer’s jump. And the more I practice, the better I get at it, both the photography and the art direction.
As a dancer, you have an advantage because you know that part. But you will still need to practice, practice, practice. Photography is a form of art just like dance is, and you can always find ways to improve.
For the first three parts of this series, go here, here and here.