Mel Ramos' iconic painting of Superman — San Francisco's de Young Museum, June 2017
Currently showing posts tagged San Francisco
Beethoven statue in Golden Gate Park — San Francisco, June 2017
Fog over San Francisco — June 2017
Enjoying the view — San Francisco, June 2017
In 1967, at the height of unrest in the U.S. over Vietnam and social/racial issues, as many as 100,000 people swarmed San Francisco’s Haight-Ashbury neighborhood in the hopes of “creating a new social paradigm.” Today, the 50th anniversary of the Summer of Love is being celebrated in a remarkable exhibition at the de Young Museum in Golden Gate Park.
Titled “The Summer of Love Experience: Art, Fashion, and Rock & Roll,” the exhibit features posters, photos, interactive music, light shows, costumes and textiles that tell the story of a summer in which artists, activists, writers, and musicians converged on the Bay Area neighborhood.
The de Young exhibit, while celebrating the hippie culture and flower power, does not gloss over the problems that ended the Summer of Love almost as quickly as it began. Haight-Ashbury was not equipped to handle the crush of people, and the neighborhood rapidly deteriorated due to overcrowding, homelessness, crime and drug use.
However, the legacy of the Summer of Love lives on to this day. As the museum says in a digital exploration of the exhibit, “The social developments in San Francisco and the Bay Area in the 1960s as epitomized by the Summer of Love catalyzed a set of ideas that would eventually lead to new norms: the birth of the natural food industry, concern for the environment, sexual liberation, and challenges to the nuclear family. The era’s political and social activism had a significant impact on the course of American history. The counterculture touched every facet of American culture, offering alternatives to the mainstream that still flourish today.
It is a fascinating exhibit, well worth your time if you can make it to San Francisco between now and Aug. 20. These photos attempt to capture what I saw during an afternoon walk through.
Last month, after shooting a conference in San Francisco, I had an afternoon to visit a couple of places I’d wanted to see in previous visits to the city. Ultimately I decided on the expansive Golden Gate Park, home to the de Young Museum and the National AIDS Memorial Grove, among many other attractions.
After spending two hours at the de Young’s exhibit commemorating the 50th anniversary of the Summer of Love — another “Places” album coming soon — I walked toward the grove, a 10-acre memorial dedicated to those whose lives have been affected by this devastating pandemic over the past three-plus decades. Despite overcast, foggy skies, a female couple was walking through their wedding ceremony scheduled for the next day, and I had a lovely conversation with two college students who, like my own children, were not alive when the pandemic was at its worst.
San Francisco was one of the cities hardest hit by AIDS, and a small group of citizens developed the idea for the grove in 1988 as “a positive way to express their collective grief,” according to www.aidsmemorial.org. Eight years later, in 1996, Congress designated the grove as the national AIDS Memorial, giving it status comparable to the Vietnam Veterans Memorial, the 9/11 Memorial & Museum, and the USS Arizona at Pearl Harbor.
The About section of the memorial’s website explains the mission beautifully: “to provide, in perpetuity, a place of remembrance so that the lives of people who died from AIDS are not forgotten and the story is known by future generations.”
To see a 2014 essay I wrote related to the AIDS crisis, click on this link.
Split screen — San Francisco, June 2017
Afternoon fog approaching Golden Gate Park — San Francisco, June 2017
Street car in San Francisco — June 2017
Contrasting flowers — San Francisco, June 2017
Over the past two weeks, I've:
• Shot and edited more than 1,000 photos at two conferences in New Orleans and San Francisco.
• Written a column for one magazine and a paid-sponsorship feature for another. Also wrote a blog on Fathers and Sons and posted two albums of photos on my business page.
• Officially (at least according to LinkedIn) marked year 4 of this solo business gig.
• Visited a Louisiana swamp and Bourbon Street. (I'm not talking about the same thing, despite many similarities.)
• Spent an invaluable week with my oldest son, showing him NOLA, Texas, and (long enough to snap a picture) Oklahoma.
• Saw and spent varying degrees of time with my mom, aunt, sister, first cousin, and nephews/grandnephew. (Just saw one of the nieces in a literal drive by.)
• Took a number of photos in Kilgore, where my parents first got together.
• Visited my grandparents' gravesite and showed Nick the places where my parents grew up.
• I did not leave the hotel these last three days in San Francisco, but with an afternoon to kill before my red eye back to Virginia, I went to the de Young Museum in Golden Gate Park to see the Summer of Love 50th anniversary exhibit. Before leaving, I also walked through the National AIDS Memorial Grove, where I had a fascinating conversation with two college-age women.
And despite a trigger finger that is rapidly approaching carpel tunnel status, I took my camera. It was nice, after all the work-related stuff, to let my eye roam free.
All in all, it's been a great and productive trip, exhausting but emotionally recharging at the same time. I'm truly grateful to Jill (who's had a couple of interesting weeks in her own right) for having the love and patience to let me do these things.
So that's the news from this end. Look for more photos here and on my Facebook page soon, and hope I sleep well on the plane ride home.
Thanks for reading... How's your week been?
Conference photography is a growing — and highly enjoyable — part of my business. Earlier this month, I shot the APMP Bid and Proposal Conference in New Orleans and the Graduate Management Admission Council’s annual conference in San Francisco. I already have three more conferences scheduled in November and December and am bidding on several others.
The best conference photos, in my opinion, tell stories using visuals rather than words. Nothing bothers me more than the photographer obstructing the views of both the speaker and audience, so I try to remain as unobtrusive as possible. Unless it is absolutely necessary, I do not use flash during sessions, because this has the same disrupting effect on the speakers and audience at a live performance or show.
APMP, which serves professionals dedicated to winning business through proposals, bids, tenders, and presentations, holds a three-day professional conference for its members. More than 900 attended this year’s June 13-15 event, the largest in the association’s history. Over three-plus days (including preconference sessions and portraits for the board of directors before the meeting started), I shot and edited more than 600 photos, completing the task before leaving New Orleans to visit family in Texas.
This marked the fourth time I’ve shot the GMAC annual conference, held June 21-23 in San Francisco. Each time, I cull through the edited photos to produce a 2- to 3-minute slideshow of highlights that is aired during the final general session.
An aspect of my journalism career — working on deadline — also has helped in my approach to conference photography. I carve out time during breaks and in between sessions to dump and edit what I’ve shot. Typically, you shoot three to five photos for every one you keep, so this approach gives me a running tally of what I’ve got, and allows time for more shooting if necessary.
This year, for the first time, the slideshow came as close to real time as possible. I had a backup from the first two days already completed, but wanted to see if I could push the envelope. I took photos from the final morning of presentations, went out, picked the best, and edited them. I then shot photos at the start of the 90-minute final general session, edited the best, and added those to the slideshow as well.
When the slideshow — see below — aired, audience members saw about 15 photos that had been taken that morning. In that respect, the photos told the whole story of the meeting.
Sunset in San Francisco — April 2012.
Hooks and rope — San Francisco, April 2011